GIULIA PARLATO

Atlas of Survival (2018)

Entrance, photomontage of Giclée prints on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Sanctuary, photomontage of Giclée prints on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

God's Foot, Giclée print on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Bathroom, photomontage of Giclée prints on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available


Surviving Creature n.1, Giclée print on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Tanit,  Giclée print on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Churches, Giclée print on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

The Golden Hollow, photomontage of Giclée prints on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Grotto, Giclée print on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Physiognomy of the South, photomontage of Giclée prints on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Surviving Creature n.2, Giclée print on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Fluid Time, photomontage of Giclée prints on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Patrons Dancing with Serpent, photomontage of Giclée prints on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Magic Ceiling, Giclée prints on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Waiting Room, photomontage of Giclée prints on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

Supernatural Power, Giclée print on Hahnemühle Photo Rag ultra smooth, edition of 10, different sizes available

ATLAS OF SURVIVAL (2018)

"Atlas of Survival" is an ongoing project about Sicilian symbolism, in which I’m trying to unfold the process of hybridisation that Sicily and more specifically the area enclosing the city of Palermo, my hometown, experienced. Questioning the rigidity of historiography, I am interested in what has been left out by the latter, and how Sicilian symbolism can be re-thought. Referring back to the byzantine mosaics, I'm attempting to construct a new mosaic of Sicily, with a constellation of images floating in immense golden backgrounds.

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